About me
Andrés Albornoz is a production manager with a career spanning three decades. His journey in the entertainment industry began in 1994 in Bogota, Colombia, where he developed a passion for the dynamic world of music and performance.
With an extensive background in the field, Andrés has honed his skills using advanced software such as SketchUp, AutoCAD, and Vectorworks, the latter of which he transitioned to in 2015.
As a visionary leader, Andrés Albornoz spearheads Grid CAD and Rendering Corp, a Miami-based company known for its exceptional drafting, rendering, training, and production coordination services. With his extensive experience as a production manager for Garba Music Corp, Andrés brings a wealth of knowledge and expertise. Under his guidance, Grid CAD and Rendering Corp have played a pivotal role in bringing numerous high-profile projects to life, collaborating with acclaimed set designers and artists, including Bad Bunny, Karol G, Morat, Marc Anthony, Rauw Alejandro, Mana, Los Bukis, Aventura, Andres Cepeda, Fonseca, Manuel Turizo, Anuel, Sebastian Yatra, and many others.
In 2023 and 2024, Andrés was the production manager for the blockbuster Bad Bunny's "The Most Wanted Tour", stage manager for Karol G’s Mañana Será Bonito U.S. tour, and production manager for Ivan Cornejo’s Mirada USA Tour. He now leads the team as production manager for the iconic Mexican band Maná.
In addition to his remarkable achievements as a global production manager, Andrés Albornoz also shines as a mentor and trainer, generously sharing his wealth of experience in both stages and drafting. Known for his engaging teaching style and profound knowledge, he confidently empowers aspiring professionals to navigate the intricate world of entertainment. As a trainer, he goes beyond the technicalities, instilling a deep appreciation for the artistry and precision required to bring visions to life. With his guidance, countless individuals have honed their skills and embraced the industry's challenges, propelling them toward success.